Michael Grecco tells stories through spaces in his environmental portraits. Early photographers were at the mercy of technology. It was a case of tools limiting artistic vision for the earliest photographers. The size of the camera, the film, development, and printing techniques all had to be considered by the photographers of the 1880s who shot stoic portraits. The earliest steady work for the photographers in the 1880s was taking portraits for the law, today known as mug shots.
Actor Martin Landau when he won the Oscar for the movie Ed Wood, by Michael Grecco.
Actor Lucy Liu shot for People Magazine by Michael Grecco.
Each technological advancement in photography, equipment, developing, printing, and displaying it added new layers for the photographer to explore. The staple of photography, the portrait went from historic to artistic. Trained photographic technicians could capture clear law enforcement, school, or family portraits. The photographic artist, visionary and innovator turned stoic portraits into the art of the environmental portrait.
It took the eye of an artist to use the tools, techniques, and technology of photography to advance photographs to the realm of telling stories through spaces.
Comedian and actor Mel Brooks photographed for People Magazine by Michael Grecco.
Environmental Portraits
Cutting his teeth as a news photographer at the pinnacle of the era, Michael Grecco developed a unique style of freezing moments in time. Through the lens of his camera Mr. Grecco saw his job as a storyteller with photos. This included capturing the subjects of his photos in the spaces that they inhabited. Over the decades he has mastered this technique which has become known as environmental portraits.
Surfer Howard Devon shot for Business Week photographed by Michael Grecco.
Director Martin Scorsese on his “perch” in New York City, photographed by Michael Grecco.
The photo above captures a quiet moment with the iconic director Martin Scorsese. Here, Scorsese stands on a rooftop, his gaze over New York City, a place that’s as much a part of his story as his films. The city’s buildings rise around him, not just as a backdrop, but as silent witnesses to his remarkable journey in cinema.
Comedian and host Chelsea Handler by Michael Grecco.
Houda in Death Valley by Michael Grecco.
The choice of environment becomes an integral part of the story. Mr. Grecco uses the environment not to frame the subject but to harmonize, complement and tell stories with its inclusion. His earliest work as a photographer who documented the beginnings of punk afforded him a rich environment to tell stories through the spaces of his photography.
Artistically Technical
Porsche Mechanic photographed in Beverly Hills by Michael Grecco.
Comic actor Steve Martin photographed by Michael Grecco.
Michael Grecco has developed all the technical tools of a professional photojournalist and applied them to creating artistically technical environmental portraits. The classic skills of a professional photographer are evident in the art of Micheal Grecco. Lighting, framing, and depth of field all contribute to the artistically aesthetic photos Mr. Grecco produces across an array of applications.
Houda in Death Valley, California, photographed by Michael Grecco.
The above photo is from the advertising portfolio of Michael Grecco, on its own it is art. The subjects and environments harmonize and contrast to fill spaces with stories beyond background and framing. Michael Grecco applies his love of artistically technical environmental portraits to tell the stories in the spaces that he sees through the eye of his camera in every genre he undertakes.
